All posts by Rosie Lesso

FROST GRAY’s steely metallic shade became cold light in Russian master Valentin Serov’s stirring portraits, illuminating the space around his sitters with the frosty air of Russia. Leader in the Russian Impressionist movement, pale exterior light was a vital component in Serov’s art, breaking through unseen windows to colour the interior walls, furniture and clothes…

19th century painter Alexei Savrasov portrayed stunning, Romanticised visions of the Russian landscape, capturing the sparkling freshness and icy air of winter when everything was obscured by layers and layers of snow. Sensitively attuned to the natural world at this time of year, he carefully observed how subtle shades of bluish grey like that of…

A fresh, cold breeze seems to bristle through Russian painter Natalia Goncharova’s paintings, created through sharp, biting and invigorating colours like that of FEATHER Linen. Leader in the Russian 20th century avant-garde, Goncharova was wildly inventive and prolific, working across a huge range of styles, techniques and mediums to produce some of the most important…

SILVER Linen’s quiet, blue-grey mirrors the softly diffused light of Claude Monet’s snow scenes, where land and sky are muffled by enormous puffs of cloud and snow. Subtle blue shadows fall across heaps of white snow and bristle through freezing tree branches or suggest rising storm clouds in the distant horizon, but they are a…

ASH Linen’s cool, quiet tone became areas of peaceful respite in Edouard Vuillard’s intimate interiors, drenching private spaces in a mysterious and enigmatic light. Leader in the Parisian Intimiste movement of the early 20th century, Vuillard’s paintings focussed almost exclusively on private indoor spaces, painted with soothing colours to convey a quality of quiet isolation…

LUNAR ROCK linen’s shimmering grey often appeared in American Impressionist Elizabeth Sparhawk-Jones’ lively scenes, casting pockets of warm shadow amidst areas of colour and light. One of America’s most celebrated turn-of-the-century painters, Sparhawk-Jones portrayed ordinary urban scenes, from shoppers in department stores to children roller-skating and mothers in the park with wide brushstrokes and sparkling…

SAND linen’s full bodied saffron yellow was a favourite with French painter Maurice de Vlaminck, setting his paintings alight with warm, iridescent flames of colour. Central to Vlaminck’s practice was the relationship between colours, which could express riotous outbursts of emotion, with his distinctive shade of mustard yellow playing a top note above the rest. Reflecting…