Category Archives: COLOUR SERIES

Swiss Symbolist painter Ferdinand Hodler’s art is a homage to the wonders of the Swiss landscape, conveying jagged, snow-peaked mountains and glossy mirrored lakes with flat panels of vivid, jewel-like colour. The indigo of NIGHTSHADOW BLUE Linen was his favourite colour for conveying depth and shadow, which he brought in to describe shadowy mountain ranges…

French artist Jules Bastien-Lepage was one of the greatest Naturalists of his generation, painting the French countryside with muted, earthy shades of moss green alongside soft tones of beige, brown and peach. OLIVE Linen’s warm, rustic shade of dark green was a favourite in his limited colour palette, lending his canvases a relatable down-earth-quality that…

Deep earthy colours like that of BROWN SUGAR Linen were a defining feature of Artemisia Gentileschi’s Baroque paintings, investing into them a quietly brewing mystery and intrigue. Gentileschi was the most celebrated female painter of 17th century, working throughout Europe for a series of high-profile clients in an era when few artistic opportunities were available…

Nimbus Cloud Linen’s cold blue tone breezes through Joaquin Sorolla’s coastal scenes, filling them with the crisp, invigorating freshness of the Spanish coast. Starched fabric and painted stone buildings flicker in and out of the crisp white air, forming dappled patterns of pastel blue, white and lilac as fresh and cold as the ocean beyond….

GRAY PINSTRIPE Linen’s deep, dark almost-black swept across James Abbott McNeill Whistler’s enigmatic ‘Nocturnes’, capturing the quiet magic of cities descending into night. Made throughout the 1870s, Whistler’s night-time scenes portray urban scenes almost entirely cloaked by darkness, leaving only a smattering of twinkling lights or far-off fireworks in view. Painted from memory in his…

Colour was a vital component for the legendary Abstract Expressionist Helen Frankenthaler, allowing her to express deeply felt moods, emotions and memories with a rich and evocative language. Ambient greys tinged with lilac, like FALCON GRAY Linen, were a recurring favourite, which she would dilute into watery liquids and pour liberally onto her canvases so…

Sir Lawrence Alma-Tadema was a dreamy romanticist, painting idealised historical scenes set amongst the marble pillars and iridescent light of ancient Greece. Cool shades of aqua blue like BLUE BAYOU Linen brought crisp, fresh lightness into his scenes, particularly when combined with the glossy marble architecture of the ancient world. In amongst these tranquil and…

FROST GRAY’s steely metallic shade became cold light in Russian master Valentin Serov’s stirring portraits, illuminating the space around his sitters with the frosty air of Russia. Leader in the Russian Impressionist movement, pale exterior light was a vital component in Serov’s art, breaking through unseen windows to colour the interior walls, furniture and clothes…

19th century painter Alexei Savrasov portrayed stunning, Romanticised visions of the Russian landscape, capturing the sparkling freshness and icy air of winter when everything was obscured by layers and layers of snow. Sensitively attuned to the natural world at this time of year, he carefully observed how subtle shades of bluish grey like that of…

A fresh, cold breeze seems to bristle through Russian painter Natalia Goncharova’s paintings, created through sharp, biting and invigorating colours like that of FEATHER Linen. Leader in the Russian 20th century avant-garde, Goncharova was wildly inventive and prolific, working across a huge range of styles, techniques and mediums to produce some of the most important…

SILVER Linen’s quiet, blue-grey mirrors the softly diffused light of Claude Monet’s snow scenes, where land and sky are muffled by enormous puffs of cloud and snow. Subtle blue shadows fall across heaps of white snow and bristle through freezing tree branches or suggest rising storm clouds in the distant horizon, but they are a…

ASH Linen’s cool, quiet tone became areas of peaceful respite in Edouard Vuillard’s intimate interiors, drenching private spaces in a mysterious and enigmatic light. Leader in the Parisian Intimiste movement of the early 20th century, Vuillard’s paintings focussed almost exclusively on private indoor spaces, painted with soothing colours to convey a quality of quiet isolation…

LUNAR ROCK linen’s shimmering grey often appeared in American Impressionist Elizabeth Sparhawk-Jones’ lively scenes, casting pockets of warm shadow amidst areas of colour and light. One of America’s most celebrated turn-of-the-century painters, Sparhawk-Jones portrayed ordinary urban scenes, from shoppers in department stores to children roller-skating and mothers in the park with wide brushstrokes and sparkling…

SAND linen’s full bodied saffron yellow was a favourite with French painter Maurice de Vlaminck, setting his paintings alight with warm, iridescent flames of colour. Central to Vlaminck’s practice was the relationship between colours, which could express riotous outbursts of emotion, with his distinctive shade of mustard yellow playing a top note above the rest. Reflecting…

The earthy ginger of APRICOT linen echoes Pierre Bonnard’s spicy Mediterranean oranges, colours that became a central focus in his flickering, light speckled canvases. Recognised today as a vivid colourist, Bonnard captured the warm light of his native France with intimiste, naturally lit interiors, blooming landscapes and sunlit gardens. An early abstractionist, his paintings reveal…