In our final article on the role of fabric in Japanese ukiyo-e art, we examine how the genre of ukiyo-e evolved and changed in the 20th and 21st centuries, and the continuing role fabric played in its development throughout this period. Although the dominance of ukiyo-e in Japanese culture largely faded from around 1900 onwards,…
Category Archives: TEXTILES IN ART
20th century Russian pioneer Natalia Goncharova had an astonishingly varied and prolific career, spanning painting, printmaking, costume, set design and more. Pulling together all these diverse ideas was a desire to celebrate her Russian heritage, and its place in an increasingly modern society. Russian fabrics were among her most favourite and cherished objects, particularly those…
In this latest edition on fabric in ukiyo-e art, we will look into the fascinating art of the 18th and 19th century Katsukawa School, and the vital role Japanese costume and silk played in its development. Founded by the great Miyagawa Shunsui, the incredible art of the Katsukawa School spanned paintings and prints with a…
Pattern, in all its multicoloured, decorative glory, is at the heart of David Hockney’s art. It was there in his art as a young, keen student in 1950s London, and it’s still alive and well in the art he makes today (only Hockney could reimagine the Yorkshire landscape as a series of eye-wateringly bright patchworks)….
Henri Matisse was an avid, obsessive collector, amassing a huge archive of incredible objects throughout his lifetime that clattered noisily against one another in his home studio. The most cherished of these possessions were Matisse’s impressively vast collection of textiles which he gathered from all over the world, including French tapestries, Persian rugs and African…
The Utagawa School was one the most successful periods in the history of Japanese ukiyo-e art, lasting from the late 18th to the late 19th century. Under the leadership of master printmaker Utagawa Toyoharu, the school revolutionised Japanese woodblock printing, discovering new techniques that allowed them to work quickly and efficiently, creating a huge array…
For Mexican artist Frida Kahlo fabric was an incredibly powerful form of self-expression, one that made her an inimitable icon of the 20th century. She adored the indigenous fabrics of Mexico, with their lively, exuberant prints and intricate areas of ruffling and embroidery, drenching her body in layers and layers of traditional textiles. More than…
Throughout the history of Japanese ukiyo-e, fabric has been a defining feature, allowing artists to convey movement, energy and character. In this episode of our series on ukiyo-e art we will take a closer look at fabric in the second key phase of the movement, known as the Torii School. Following on the incredible advancements…
Bold, brilliant fabric was a lifeline for French Intimiste painter Edouard Vuillard, defining the aesthetic and conceptual meaning of his art. Vuillard’s mother and sister were both dress and corset makers and he grew up surrounded by a cacophony of printed textiles, all scattered haphazardly across their 19th century Parisian apartment. This environment shaped the…
Japanese ukiyo-e art has a long and incredibly varied history, and a closely knit relationship with fabric. In this instalment of our series on ukiyo-e art, let’s start at the very beginning with the movement’s founder, and delve into the ways fabric informed his practice as a painter and printmaker. Ukiyo-e is often traced back…
Japanese ‘ukiyo-e’ paintings and prints are one of the world’s richest treasures, illustrating the complex diversity of Japanese life with a bold and instantly recognisable language. A popular strand of Japanese culture from around 1670 to 1912, ukiyo-e, or ‘pictures of the floating world’, illustrate the development of Japan’s bustling city centres as they became…
Austrian Art Nouveau painter Gustav Klimt is world-renowned for his sinuously flowing fabrics that adorned women and intertwined lovers in richly ornate blankets and gowns. But perhaps less well-known is the love affair he had with fashion designer Emilie Floge, and the impact their creative interchange had on the shape of his art. Floge’s loose,…
Dutch master Johannes Vermeer was fascinated by fabric, and it informed the nature of his art on multiple levels. This significant connection to fabric began early in Vermeer’s childhood, through family connections to textiles, and it stayed with him for life. He spent his entire career exploring the way its draped, shimmering surface could add…
Fabric has played a vitally significant role in the lives of countless artists, acting as a source of inspiration, comfort and self-expression. In this new series, we will look at the world’s finest artists who built an intimate relationship with fabric – one brought about by family history, travel or personal interest – that would…
At the turn of the 20th century artists increasingly broke away from the real world, heightening the visual and emotional impact of colour, pattern and texture. Fabric was still a vital tool for artistic exploration but its depiction became ever more varied and experimental, from the flattened, Oriental forms of the Intimistes to the broken…
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