What do the Royal School of Needlework, Julian Assange and Philip Pullman have in common? They all stitched parts of the 13-meter-long Magna Carta (An Embroidery) by British artist Cornelia Parker. Parker turns everyday objects into mesmerizing and thought-provoking artworks. In this case, she asked 250 people to help her recreate in thread-on-fabric the Wikipedia…
Category Archives: WOMEN IN ART
There is a chaotic, frenetic energy in Phyllida Barlow’s art, as piles of painted wood lean this way and that, and huge heaps of fabric are bundled into balls and strung up on the gallery walls. Perhaps it’s no surprise then that Barlow is a mother of four – this free-spirited playfulness seems to conjure…
Artist, African-American, woman and mother: these are the many roles woven into Kara Walker’s identity. Her art brings these personal experiences out into the open, examining them in a wider social context informed by history, mythology and politics. In particular, Walker’s role as a mother has undoubtedly informed some of her most powerful works of…
In 2014, Kazakh artist Saule Suleimenova took a trip out of Almaty and realised that the steppes – which one imagines wild and unspoiled – were covered in plastic bags. She immediately abandoned all her materials and produced her first plastic ‘painting’, a beautiful bouquet of flowers made entirely out of discarded shopping bags glued…
Berlin-based artist Gulnur Mukazhanova received a peculiar inheritance from her grandmother: a collection of traditional Kazakh garments and textiles. She wore one of the garments for her wedding, to question the dominance of the customary white dress, while the rest have inspired her recent works. Sadly, traditional crafts have been steadily disappearing in Kazakhstan, Gulnur’s…
Leading American sculptor Anne Truitt is widely recognised as a singular figure in the Washington Colour School of the mid-20th century, whose monumental columns of colour are steeped with intense human emotion. She successfully weaved her family life into this artistic practice, exploring how the two could feed creatively and intuitively into one another. At…
For Kazakh artist Almagul Menlibayeva, fabric is both a way to tell a story and a metaphor for storytelling itself. In photography, video and digital works she uses fabric as a subject and a character. Take The Red Butterfly, which features a woman swathed in seemingly endless red fabric, wearing numerous skull caps, and in…
Motherhood is a recurring theme in the art of British sculptor Barbara Hepworth, an intimate subject so close to her heart she would return to it over and over again. Mother to four children, she juggled raising them almost singlehandedly, while continuing to create some of the most important and enduring sculptures of the 20th…
Motherhood and creativity: it’s a tricky, loaded subject that has been the subject of much debate. Do the two roles blend into and complement one another, or are they opposing forces pulling women in different directions? As as a mother myself, I know what it feels like to juggle different identities, and yet how the…
In this series, I’ll look at art works featuring fabric by three very different women from Kazakhstan. I’d like to find out why Almagul Menlibayeva created epic videos and photographs of women swathed (or strangled?) by traditional fabrics in front of historical monuments. I’ll discover how Gulnur Mukazhanova reapplies felting techniques to create haunting face…
“I paint flesh because I’m human. Flesh is just the most beautiful thing to paint.” Jenny Saville’s voluptuous, rippling folds of flesh explore the living, breathing human experience. On one hand she is a painter’s painter, who relishes in the messy, smeary liquidity of oil paint, but she also draws parallels between the sensuality of painting and…
When it comes to 20th century pioneers, Anni Albers is the quietly tenacious artist who defied all expectations, blending technical mastery with Modernist abstraction to revolutionise the ancient craft of weaving into an art form in its own right. Pointing to the rigid divisions between fine and applied arts in her later years, she wrote,…
“I want the story to be told so that people understand what’s going on.” Above all else, Faith Ringgold is an avid, entrancing storyteller, weaving the darker side of African American history into her richly complex works of art. Though her practice spans a broad range of media, she is perhaps best known for her…
“Quilts stimulate memories of warmth, security and home, yet their layers can also conceal hidden histories and untold stories.” Sue Prichard, Curator of Contemporary Textiles, the V&A, London Quilts hold a special place in today’s culture, adorning the walls of museums and galleries as totemic mementos of the past. From abstract patterns to personal or…
“In terms of making art, and writing, and anything that we do as artists where we have to step up to the plate, it should be uncomfortable, it should be nerve wracking, and there should be this level of the unknown.” Fearless is a word often used to describe Lorna Simpson: like an intrepid explorer…
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20 May 2025 @ 5:19 am by Theresa Whiting