Category Archives: COLOUR SERIES

The French Fauvist painter Andre Derain made paintings of France that were charged with electrifyingly bolts of colour, including the blazing shade of ochre seen in YELLOW Linen. Along with Henri Matisse and Maurice de Vlaminck (among others) they spearheaded a new brand of painting that moved beyond the real world into the realms of…

There is a quiet, understated elegance in the art of French painter Pierre Puvis de Chavannes, whose dreamlike paintings and murals came to encapsulate the spirit of late 19th century Symbolism. His timeless models, adorned in drapes and gowns, drift through panoramic scenes, where muted shades like PALE GREEN spill out onto the ground or…

French 19th century artist Eugene Boudin captured vast, soaring skies filled with flickering patches of dappled cloud, which flit between soft shades of pale grey, light blue, and the hazy lilac grey of Grey Pearl. His mastery of cloud painting even prompted Barbizon painter Jean-Baptiste-Camille Corot to coin Boudin as the “king of the skies.”…

Scottish artist and designer Charles Rennie Mackintosh might be best remembered for his Art Nouveau architecture and furniture, but he was also a highly skilled painter who made distinctive, stylised paintings of flowers and landscapes filled with quiet, understated wonder. Cool, crisp shades of metallic green like Laurel Leaf were a recurring feature of his…

Bands of horizon where sky meets and merges with water were a recurring theme in the art of the Symbolist painter James Abbot McNeill Whistler, flooding his canvases with the atmospheric light of a faraway dream. As much as Whistler is known as the painter of the night with his sombre, subtle ‘Nocturnes’ series, he…

Indulgent shades of crimson and plum like Red Lilac were a recurring feature in the work of French intimiste painter Edouard Vuillard, depicting the lavish interiors and elaborately dressed women that set the stage for his life in late 19th and early 20th century Paris. Predominantly a painter of quiet, intimate indoor scenes brimming with…

Muted, elegant shades of grey and brown like UMBRA were transformed in the hands of Joseph Mallord William Turner into leaden skies and turbulent seas, capturing a raw and brutal side of nature capable of destroying anything in its midst. In Turner’s late paintings, we see the sublime awe and drama of sea storms coming…

The warm, soft hue of CAMEL can be seen throughout the art of daring French realist painter Gustave Courbet, a raw, human, and naturalistic hue that allowed him to convey the humble, truthful elements of nature with great clarity and honesty. While Courbet might have attracted the most controversy and attention for his politicised figurative…

With her remarkable sleight of hand, American Impressionist painter Mary Cassatt was able to capture the breezy, airy effortlessness of daylight falling across the clothing and skin of her subjects. Cool pastel shades like BLUE QUARTZ were one tool in her armoury that she would return to over and over, for its ability to convey…

Dutch Golden Age painter Johannes Vermeer made art that was imbued with shades of pale gold like HOLLAND, drenching his intimate, ordinary scenes with glowing, radiant light. In comparison with his peers, Vermeer made a comparatively small body of work, producing only around 45 in his lifetime, and of those, only 36 are known today….

Swedish mid-20th century artist Birgit Skiöld was a pioneer in printmaking, a serial experimenter who skilfully merged traditional printing techniques with playful abstract motifs that hint at the movements and patterns of nature. Much of her work was elemental and ephemeral, made up of wispy, uneven lines and ghostly, barely-there colours, but rich, dark blues…

The paintings of Swedish visionary Hilma af Klint are filled with quiet wonder, gateways into their own private spiritual realms where looping floral patterns intersect with floating geometric patterns. Each artwork she made was invested with her own codified language of signs and symbols that pointed to her fascination with abstract, ethereal forces beyond the…

The silvery grey-blue of LAGOON linen became leaden, steely skies in the hands of painter Joan Eardley, capturing the furious energy of storm-laden seascapes in thick slabs, swipes and streaks of moody colour. A master in capturing the wild, elemental and unspoilt beauty of the Scottish coastline, Eardley heaved huge canvases into the landscape during…

Deep shades of indigo like Japanese Blue were a potent tool in the arsenal of much-loved 19th century Japanese artist Katsushika Hokusai, a means of investing dark, brooding shadows into his atmospheric woodblock prints. From the cavernous depths of gushing waterfalls to the timeless silhouette of Mount Fuji, he layered this entrancing shade of darkness…