FS Colour Series: Straw inspired by Joaquin Sorolla’s Spanish Sunlight

STRAW linen’s delicate pale gold has the iridescence of sand bleached by the white summer sun. Impressionist painter Joaquin Sorolla saw in this colour the power to recreate searing hot Spanish sunlight as it flooded windswept beaches, flapping ship sails, straw hats and freshly starched clothing in his seemingly endless cycle of summer. When balanced…

The milk-white hue of TADELAKT linen evokes the smooth, polished surfaces of Barbara Hepworth’s ground-breaking and sensuous marble sculptures. A 20th-century woman who both embodied and propelled modernism in Britain, Hepworth revealed her determination and independence early on by travelling alone to Rome in 1924 at the age of 21, after completing her degree at…

The intensity of EARTH linen’s heady, port red mirrors Mark Rothko’s late maroon paintings, in which he captured the brooding half-light of dusk as it slowly shifts and closes into night. Rothko wrote, “Often, towards nightfall, there’s a feeling of mystery, threat, frustration – all of these at once. I would like my paintings to…

RED OCHRE linen has the enveloping warmth of terracotta, a rustic colour that seems drawn from the ground like Italian tiles or dry earth parched by the sun. Yet for painter Frank Auerbach this shade of red, along with sandy yellow and burnt orange, reflects the mood and surroundings of his home in London, with…

FROTH linen’s pale blush tone is reminiscent of an apricot ripening in the white spring sunlight, recalling the luminous flesh tones in French master Edouard Manet’s paintings. As a Realist painter, Manet made the human figure his central focus, whose pale blush tones become visions of purity and light when set against deep, earthy browns…