Category Archives: TEXTILES

Deep, dark and indulgent, DULSE linen’s blackberry stained hue can invoke both the theatrical grandeur of royalty and the hidden depths of primordial desire. The colour has great significance for British sculptor Anish Kapoor, whose deliciously sensuous sculptures tap in to red’s cultural history, while enlivening a primitive essence within the human body, as writer Stella Paul points out,…

SANGUINE linen shares an earthy, enveloping warmth with the great French Post-Impressionist Paul Cezanne, who infused his paintings with this glorious, sun glazed terracotta. Famously writing “the truth is in nature”, Cezanne obsessively copied the colour and light in the South of France onto canvas, capturing golden sunlight with soft sandy and earthy hues as…

Russian Romantic painter Ivan Aivazovsky was entranced by the wild, untameable energy of the sea, painting it in bruised blue and purple tones punctuated by white moonlight. ABYSS linen recalls the deepest tones in Aivazovsky’s brooding seascapes, a rich indigo that suggests tempestuous, brewing drama. In the face of nature’s sheer, destructive force Aivazovsky saw…

CORAL linen is a colour filled with heat and fire, burning with the raging intensity of a Spanish sunset. For the deeply passionate painter Joan Miro this red held great significance, both as a patriotic symbol for his native Spain and a potent carrier of raw, overflowing emotion that spills out from his canvases and…

The deep, inky tone of ROYAL PURPLE linen has the warm intensity of a dwindling sunset as the light fades into shadow. This time of day was a favourite with painter Paul Signac, who saw deep purple tones in the shadows around him as the golden sun of his native France began to sink downwards…

The milk-white hue of TADELAKT linen evokes the smooth, polished surfaces of Barbara Hepworth’s ground-breaking and sensuous marble sculptures. A 20th-century woman who both embodied and propelled modernism in Britain, Hepworth revealed her determination and independence early on by travelling alone to Rome in 1924 at the age of 21, after completing her degree at…

The intensity of EARTH linen’s heady, port red mirrors Mark Rothko’s late maroon paintings, in which he captured the brooding half-light of dusk as it slowly shifts and closes into night. Rothko wrote, “Often, towards nightfall, there’s a feeling of mystery, threat, frustration – all of these at once. I would like my paintings to…

RED OCHRE linen has the enveloping warmth of terracotta, a rustic colour that seems drawn from the ground like Italian tiles or dry earth parched by the sun. Yet for painter Frank Auerbach this shade of red, along with sandy yellow and burnt orange, reflects the mood and surroundings of his home in London, with…

FROTH linen’s pale blush tone is reminiscent of an apricot ripening in the white spring sunlight, recalling the luminous flesh tones in French master Edouard Manet’s paintings. As a Realist painter, Manet made the human figure his central focus, whose pale blush tones become visions of purity and light when set against deep, earthy browns…