The English late 19th and early 20th century designer Charles Francis Annesley (CFA) Voysey made a remarkable contribution to British design, through architecture, furniture design, wallpaper, textiles, and more. During his lifetime, he earned a widespread reputation as a leading light in the Arts and Crafts movement. Much like his contemporary William Morris, Voysey believed…
Category Archives: ART AND CRAFT
The early 20th century Austrian designer Dagobert Peche was a remarkable talent, whose visionary career expanded across a seemingly endless array of decorative art forms, including metalwork, glass, ceramics, furniture, architecture, and textiles. One of his greatest contributions came in the form of lacemaking – he produced and designed a large body of stunningly intricate…
The first thing to say about Peter Korn’s Why We Make Things & Why It Matters – is you do not have to be a creative or a maker to enjoy the book. If you are a collector or interested in interior design and homemaking; this book provides insight to why we are drawn to…
Recently in Tribeca, New York, an innovative café opened. It encourages customers to pick up their beverage and leave the shop without paying. No queuing! The consumer pays at their own convenience via text. I emphasise the café example as it focuses on networks and their relationship with trust. The Tribeca drugstore is reconnecting long…
As consumers we engage with a hybrid of art, design and craft, and its artefacts to form social bonds, and a sense of identity: I am a Nordstrom person, a Harrods; Bloomingdale’s or John Lewis… It is an engagement which helps comprehend and navigate our daily lives. Ceramics or textiles, for instance, can give us…
From curling leaf tendrils to jagged wildflowers and scrawny weeds, growing forms were prevalent throughout the Arts and Crafts era, which was firmly rooted in nature. Such imagery came to epitomise the movement, which rejected depersonalised industry in favour of the natural and organic, celebrating our deep human need to connect with the natural world….
The naturalistic, floral patterns of the Arts and Crafts movement are such a firm favourite with the British establishment that it is easy to forget the idealistic, rebellious roots of the style revolution. Angered by the demoralising effects rising industry and mass production was having on British society at large, writer John Ruskin, designer William…
“Nothing should be made by man’s labour that is not worth making.” William Morris In this new series we will explore some of the key ideas behind the iconic and hugely influential British Arts and Crafts Movement, a widespread phenomenon of the late 19th and early 20th century that continues to shape the world we…
When people ask me about craftivism,* I love to talk to them about what’s happening now and who’s doing what here in the present. However, I also try and remember to make the point that craftivism is nothing new, as like with The AIDS Memorial Quilt, which I mentioned last week, many amazing craftivism projects…
After donation and beautification, notification is the third tenet of Craftivism.* Compared to the other two tenets, notification tends to garner the most discussion. Unsurprisingly, it is also the one most likely to hit people with the biggest punch, as it features a juxtaposition between the “soft” world of craft and the “hard” world of…
This post is the 3rd in a series about craftivism. If you missed the previous posts, you might want to check out the Introduction and Part I. The second tenet of craftivism is beautification, or making your surroundings more beautiful by using your craft skills. As yarn bombing is what people think of first when…
A finger puppet from Craft Hope’s project with Country Woman magazine Last week on the blog, I wrote an introduction to craftivism, an international creative movement that I started in 2003. As I noted last week, within craftivism, I created three different tenets to help illustrate whether something falls under that umbrella:’ 1) donation (creating items…
In late 2000, I lived in New York City and learned how to knit. I just wanted to learn a hobby with which I could connect to others, I didn’t want to create a movement. But that didn’t mean I didn’t need to change my life. It wouldn’t be until later that I fully realized…
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