Category Archives: COLOUR THEORY

“Ultramarine blue is a colour illustrious, beautiful, and most perfect, beyond all other colours; one could not say anything about it, or do anything with it, that its quality would not still surpass.” Cennino Cennini Originally mined from the distant mountains of Afghanistan, ultramarine’s vivid, reddish blue has a dazzling, mystical beauty that has fascinated…

The cold darkness of umber is steeped in history, first appearing in prehistoric cave paintings as the brown hides of frantic, fleeing animals. Originally mined from soil rich in manganese and iron oxide, the pigment can be found in locations all around the world and shares similar chemical properties with red and yellow ochre. But…

“How beautiful yellow is!” Vincent van Gogh One of the oldest pigments in the world, the warm golden tone of yellow ochre has remained a favourite throughout human history. Part of the ochre family along with red ochre, purple ochre, sienna and umber, the yellow variant can be traced back to prehistoric times, appearing in…

The warm, earthy resonance of red ochre is steeped in history, carrying within it the weight of human survival. The first red pigment ever discovered, ochre was derived from iron rich rocks containing hematite hundreds of thousands of years ago, a highly pigmented mineral that easily stained the skin and could be shaped into sticks,…

“Colour is a power which directly influences the soul.” Wassily Kandinsky Like light, colour is a potent, living force, one that can invoke moods, emotions and memories. From the clothes we wear to the rooms we inhabit or the objects and artworks we experience, colour has the power to convey any human emotion possible: strength,…