All posts by Rosie Lesso

The intensity of EARTH linen’s heady, port red mirrors Mark Rothko’s late maroon paintings, in which he captured the brooding half-light of dusk as it slowly shifts and closes into night. Rothko wrote, “Often, towards nightfall, there’s a feeling of mystery, threat, frustration – all of these at once. I would like my paintings to…

RED OCHRE linen has the enveloping warmth of terracotta, a rustic colour that seems drawn from the ground like Italian tiles or dry earth parched by the sun. Yet for painter Frank Auerbach this shade of red, along with sandy yellow and burnt orange, reflects the mood and surroundings of his home in London, with…

FROTH linen’s pale blush tone is reminiscent of an apricot ripening in the white spring sunlight, recalling the luminous flesh tones in French master Edouard Manet’s paintings. As a Realist painter, Manet made the human figure his central focus, whose pale blush tones become visions of purity and light when set against deep, earthy browns…

The warm yellow hue of Zenith linen recalls the radiant, sun-baked wheat fields of Dutch painter Vincent van Gogh, where golden sunlight shimmers across the canvas and burns a hole in the sky. Yellow was a color of great personal significance to van Gogh, particularly towards the end of his life, when he flooded his…

There is a sparkling lightness of touch associated with Raoul Dufy’s practice, one that defines the joi de vivre of the Parisian Belle Epoque era he was raised in. One of his most popular quotations, “my eyes were made to erase all that is ugly,” reveals his inclination towards the decorative and beautiful, or the…