Category Archives: SUCCESS HACKS

As consumers we engage with a hybrid of art, design and craft, and its artefacts to form social bonds, and a sense of identity: I am a Nordstrom person, a Harrods; Bloomingdale’s or John Lewis… It is an engagement which helps comprehend and navigate our daily lives. Ceramics or textiles, for instance, can give us…

“I paint flesh because I’m human. Flesh is just the most beautiful thing to paint.” Jenny Saville’s voluptuous, rippling folds of flesh explore the living, breathing human experience. On one hand she is a painter’s painter, who relishes in the messy, smeary liquidity of oil paint, but she also draws parallels between the sensuality of painting and…

“I’m often thinking about how paintings position you as a viewer.” Caroline Walker’s enigmatic, quietly unnerving paintings hint at silent narratives without giving away the game. Women are her subjects, seen from afar in modern houses, nail bars, hotels or hospital beds, as we become passive voyeurs into their daily lives. Much like the 20th…

“Success, for me, is staying true to who you are and not deviating off a path.” Amy Sherald’s striking, visually arresting portraits capture the indefinable spirit of contemporary America. Since painting Michelle Obama’s portrait in 2018, the press were quick to portray her as an overnight success, but this undermines the strength, determination and years…

“I am looking for that space where you can’t have that singular, particular experience. It’s about what is undefined, unstable – and for me, that’s important politically.” Spidery lines whisper skeletal, architectural structures, coloured streaks swoop and swirl and ink blots become darkened clouds of soot and smoke: this is the electrifyingly complex landscape of…

“Painting is closest to poetry of all the arts: not being able to explain something, why does one thing sound so great next to another? You can’t put your finger on it, that’s what my work’s about.” Cecily Brown’s paintings pulsate with fleshy indulgence as thickly painted bodies writhe into and over one another, caught…

“The silhouette says a lot with very little information, but that’s also what the stereotype does.” Brutal, shocking and filled with tragedy, Kara Walker’s re-telling of black history aims for the jugular. The artist made her name with cut out silhouettes illustrating bloody, violent acts inflicted upon America’s black population, particularly women, during the American…

“Repetition and revision is central to my working process, this idea of stacking and layering and building up densities and recoveries.” Ellen Gallagher is a minimalist at heart, arranging tight grids and decorative repeat patterns that echo the measured abstractions of Sol LeWitt or Agnes Martin. But lean in closer; woven tightly into the fabric…

“My work has affected people over the years … because it draws people’s attention to … the things in their lives. There’s a certain amount of humility that goes with that.” Rachel Whiteread’s ghostly sculptures transform empty, forgotten space into solid mass. Drawing us to unusual, forgotten places is her forte, from the dark recesses of a childhood cupboard, the dusty space under the…

“It’s important to express oneself… provided the feelings are real and are taken from your own experience.” The act of seeing is central to Berthe Morisot’s practice – both tangible, visible subjects and simmering psychological tensions beneath. With a canny, perceptive eye she captured scenes and people from 19th century Parisian life, famously painting women…

“There is no beauty, if it doesn’t show some of the terribleness of life.” Dark eyes fall into pits of despair, a shaky, misshapen hand muffles a scream and a deathly pale face seems to catch its last breath of air; such is the hauntingly compelling world of Marlene Dumas. “I’m not good at making…

“What did I love? What was it that meant the very most to me inside my very own self? The fields and trees and fences and boards and lattices of my childhood rushed across my inner eye as if borne by a great, strong wind.” Memories colour Anne Truitt’s art, as past experiences become towering…

“I never violate an inner rhythm. I know it is essential for me. I listen to it and I stay with it. I have regards for the inner voice.” Tense, violent and shockingly bright, Lee Krasner’s abstract canvases vibrate with pulsating rhythm as if lost in their own inner tempo. Krasner was a force of…

“Paintings … germinate like a seed; in the dark soil and recesses of the living coral of the mind… They grow like a plant, slowly putting out shoots, they need pruning, meditating on, while the roots grow in the dark.” Eileen Agar was a free spirit, weaving her vibrant and endlessly experimental life into art….

“My paintings are not about what is seen. They are about what is known forever in the mind.” Agnes Martin’s world is one of order and tranquillity, as minutely patterned grids and ruler straight bands expand across vast surfaces suggesting wide open space. Yet there is also sensitive musicality at play as lines tremble and…