Russian Romantic painter Ivan Aivazovsky was entranced by the wild, untameable energy of the sea, painting it in bruised blue and purple tones punctuated by white moonlight. ABYSS linen recalls the deepest tones in Aivazovsky’s brooding seascapes, a rich indigo that suggests tempestuous, brewing drama. In the face of nature’s sheer, destructive force Aivazovsky saw…
All posts by Rosie Lesso
“I live life in the margins of society, and the rules of normal society don’t apply to those who live on the fringe.” In Tamara de Lempicka’s world women are fierce, independent and effortlessly stylish. Today her highly collectable paintings are potent symbols of a bygone era, capturing the sensuous glamour and decadence of the…
CORAL linen is a colour filled with heat and fire, burning with the raging intensity of a Spanish sunset. For the deeply passionate painter Joan Miro this red held great significance, both as a patriotic symbol for his native Spain and a potent carrier of raw, overflowing emotion that spills out from his canvases and…
“Feet – what do I need them for if I have wings to fly?” Frida Kahlo is a timeless icon, a great storyteller who weaved personal tragedy with fantasy and Mexican folklore to produce enduring images that speak of the universal human condition. In her lifetime her stunning, exquisitely detailed paintings seldom sold, yet today…
“A spark of the spirit lives in us, it is connected with all spirit. It is divine. It is drawn to other, similar sparks. This is the urge to creation.” Natalia Goncharova was an explosive force of creativity, encapsulating the wild spirit of avant-garde Russia with painting, printmaking, performance and design. Throughout her long, prolific…
The deep, inky tone of ROYAL PURPLE linen has the warm intensity of a dwindling sunset as the light fades into shadow. This time of day was a favourite with painter Paul Signac, who saw deep purple tones in the shadows around him as the golden sun of his native France began to sink downwards…
“I’ve always been absolutely terrified every single moment of my life … and I’ve never let it stop me from doing a single thing I wanted to do.” Fleshy, voluminous flowers that spread open like wings or petals that curl into tendrils of fire: these are the images that made Georgia O’Keeffe an icon of…
“The macho art world has ignored the contribution of women. But we have the power to change this.” [1] Art history can be a tricky, slippery construct to build; the broad frameworks we so often see sketched out in major publications or art museums rarely give us the whole picture. Many vital, influential figures throughout…
VINEYARD GREEN linen is the colour of energy and growth, suggesting fleshy leaves and dense meadows of wild grass cast into an oasis of cool shade. French Impressionist painter Claude Monet saw the rich, vital potential of this colour, returning to it again and again throughout his career to convey the depth and variety of…
Throughout the Arts and Crafts era a momentous revival of medieval ideas and aesthetics took place, leading to a whole new strand of art and design whose influence continues to be felt today. Led by the writer John Ruskin and the Pre-Raphaelite painters, who championed the social structures and technical skills of medieval artists, the…
From curling leaf tendrils to jagged wildflowers and scrawny weeds, growing forms were prevalent throughout the Arts and Crafts era, which was firmly rooted in nature. Such imagery came to epitomise the movement, which rejected depersonalised industry in favour of the natural and organic, celebrating our deep human need to connect with the natural world….
The delicate pale gold of Straw linen has the iridescence of sand bleached by the white summer sun. Impressionist painter Joaquin Sorolla saw in this colour the power to recreate searing hot Spanish sunlight as it flooded windswept beaches, flapping ship sails, straw hats and freshly starched clothing in his seemingly endless cycle of summer….
The naturalistic, floral patterns of the Arts and Crafts movement are such a firm favourite with the British establishment that it is easy to forget the idealistic, rebellious roots of the style revolution. Angered by the demoralising effects rising industry and mass production was having on British society at large, writer John Ruskin, designer William…
The intensity of EARTH linen’s heady, port red mirrors Mark Rothko’s late maroon paintings, in which he captured the brooding half-light of dusk as it slowly shifts and closes into night. Rothko wrote, “Often, towards nightfall, there’s a feeling of mystery, threat, frustration – all of these at once. I would like my paintings to…
“Nothing should be made by man’s labour that is not worth making.” William Morris In this new series we will explore some of the key ideas behind the iconic and hugely influential British Arts and Crafts Movement, a widespread phenomenon of the late 19th and early 20th century that continues to shape the world we…
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