In Defence of the Toile: Three Reasons It’s Worth the Extra Step

Indulgent shades of crimson and plum like Red Lilac were a recurring feature in the work of French intimiste painter Edouard Vuillard, depicting the lavish interiors and elaborately dressed women that set the stage for his life in late 19th and early 20th century Paris. Predominantly a painter of quiet, intimate indoor scenes brimming with…

Muted, elegant shades of grey and brown like UMBRA were transformed in the hands of Joseph Mallord William Turner into leaden skies and turbulent seas, capturing a raw and brutal side of nature capable of destroying anything in its midst. In Turner’s late paintings, we see the sublime awe and drama of sea storms coming…

The warm, soft hue of CAMEL can be seen throughout the art of daring French realist painter Gustave Courbet, a raw, human, and naturalistic hue that allowed him to convey the humble, truthful elements of nature with great clarity and honesty. While Courbet might have attracted the most controversy and attention for his politicised figurative…

With her remarkable sleight of hand, American Impressionist painter Mary Cassatt was able to capture the breezy, airy effortlessness of daylight falling across the clothing and skin of her subjects. Cool pastel shades like BLUE QUARTZ were one tool in her armoury that she would return to over and over, for its ability to convey…