Category Archives: COLOUR SERIES

Darkness pervades Tacita Dean’s artworks, falling over craggy rocks and epic mountains into inky, bottomless wells. Black Linen shares Dean’s endless black, a colour that intensifies mystery and drama, cloaking and concealing everything it touches. The dark shadows in Dean’s artworks heighten the sublime, cinematic awe of her scenes as she draws us in, inviting…

Dusty, dreamy shades of lilac like WISTFUL MAUVE appeared time and again in the art of pioneering abstractionist Hilma af Klint, representing otherworldly, spiritual states of mind. A medium, theosophist and artist of the early 20th century, Af Klint is now widely recognised as one of the very first abstract artists. Throughout her long career,…

DOVE linen’s near white has just a hint of turquoise blue, mimicking the pale, salty light of JMW Turner’s stunning Venetian marine views. Known as the ‘painter of light’, Turner was entranced by Venice, with its green-blue water reflecting the sky into illusions of infinite, endless space. The floating city became a recurring theme in…

There is a pale, almost lilac tinge to Gouache Linen’s pastel blue, echoing the dreamy, mystical light of Belgian Surrealist Rene Magritte. Master of the uncanny, Magritte transformed familiar objects into magical or metaphorical symbols by floating them amidst hazy, pastel skies and airy white clouds, letting them drift off into another world, where lucid…

Pioneering modernist painter Georgia O’Keeffe made a series of radical breakthroughs during the early to mid-20th century, taking seemingly ordinary, everyday subjects and investing them with a newfound wonder. Of all the subjects she painted, it is her flowers that have received the most critical acclaim; fleshy, bold, and daringly direct, they broke away from…

In Vincent van Gogh’s late paintings, pale blues like Sky became a primary feature, documenting his own intimate, expressive response to the landscapes of Saint-Remy and Auvers. His landscapes convey the wonder he felt at the swirling, iridescent blue light opening out above and all around him, which he painted in sparkling, luminescent shades of…

MEDITERRANEAN BLUE is a dazzling, electrifyingly bright colour that conveys the soaring brilliance of summer. Artists through the generations have explored how this entrancing shade of turquoise blue can capture the light of the European coastline, encapsulating the azure blue of the ocean and the wide-open, cloudless skies overhead. We look at three pioneering French…

Pop artist Andy Warhol had an inimitable knack for capturing the essence of an object, animal or person, ramping up its impact with daring, electrifyingly bright shades of colour like RASPBERRY’s searing hot pink. His screen prints are arguably the most enduring aspect of his legacy, giving him room to experiment wildly with the same…

The pioneering Baroque painter Artemisia Gentileschi painted a world of rich, decadent and warm tones like MARSALA, which she coupled with dramatic, heightened chiaroscuro. Her paintings draw us into private worlds where theatrical, sometimes terrifying stories play out, or melancholic heroines are overcome with strong emotion. As the most successful female painter of her day,…

British 19th century painter John Constable painted the British landscape as a place of wild and unspoilt wonder, revelling in its curling old trees, mud-soaked ground and billowing, cloud-filled skies. He was fascinated by nature in all its grubby, dirty reality and often honed in on details other might choose to ignore or omit, like…

In 1891, at the age of 43 years, French Post-Impressionist painter Paul Gauguin left his life in Europe for Tahiti, in search of a mystical paradise untainted by the trappings of modernity. The paintings he made here are arguably the most celebrated of his entire career, reflecting the abundant landscape of Tahiti with a rich…

French painter Gustave Courbet is best-known as the father of Realism, who painted stirring portrayals of ordinary life and real working people with great pathos and understanding. As such, rustic, naturalistic browns like BROWN STONE were a vital ingredient in his storytelling capacities, allowing him to convey the earthy, rugged realism of life as it…

Soft, dusty and muted pinks like SAHARA ROSE were a mainstay in the art of American minimalist artist Agnes Martin, painted in modulated, uneven textures to suggest faded memories and nostalgic longing. Martin was adept at combining simple geometric patterns like stripes, bands and grids with these muted, romantic colours – this was her way…

German, early 20th century artist Josef Albers spent his lifetime exploring the ambient properties of colour, and how their interactions could alter perceptions in the human eye. He experimented with just about every chromatic relationship possible, in a language of stark, simple geometric abstraction, allowing the radiance of his stacked colours to take centre stage….

FIERY RED was a red-hot tool in the hands of Spanish painter and printmaker Joan Miro, adding flashes of intense, blazing heat to his daring Surrealist designs. He developed a deeply personal language that was playful and child-like, made up of swirling biomorphic forms and scattered geometric shapes coupled with brilliant dashes of black calligraphic…