In Hannah Hoch’s collage wonderland anything is possible; men’s faces sprout wings and chase primeval monsters, broken artefacts assemble into beasts and women’s bodies are cut apart and left to float in space. She wrote: “…there are no limits to the materials available for pictorial collages – above all they can be found in photography,…
All posts by Rosie Lesso
The deep, inky tone of ROYAL PURPLE linen has the warm intensity of a dwindling sunset as the light fades into shadow. This time of day was a favourite with painter Paul Signac, who saw deep purple tones in the shadows around him as the golden sun of his native France began to sink downwards…
“I’ve always been absolutely terrified every single moment of my life … and I’ve never let it stop me from doing a single thing I wanted to do.” Fleshy, voluminous flowers that spread open like wings or petals that curl into tendrils of fire: these are the images that made Georgia O’Keeffe an icon of…
“The macho art world has ignored the contribution of women. But we have the power to change this.” [1] Art history can be a tricky, slippery construct to build; the broad frameworks we so often see sketched out in major publications or art museums rarely give us the whole picture. Many vital, influential figures throughout…
VINEYARD GREEN linen is the colour of energy and growth, suggesting fleshy leaves and dense meadows of wild grass cast into an oasis of cool shade. French Impressionist painter Claude Monet saw the rich, vital potential of this colour, returning to it again and again throughout his career to convey the depth and variety of…
Throughout the Arts and Crafts era a momentous revival of medieval ideas and aesthetics took place, leading to a whole new strand of art and design whose influence continues to be felt today. Led by the writer John Ruskin and the Pre-Raphaelite painters, who championed the social structures and technical skills of medieval artists, the…
From curling leaf tendrils to jagged wildflowers and scrawny weeds, growing forms were prevalent throughout the Arts and Crafts era, which was firmly rooted in nature. Such imagery came to epitomise the movement, which rejected depersonalised industry in favour of the natural and organic, celebrating our deep human need to connect with the natural world….
STRAW linen’s delicate pale gold has the iridescence of sand bleached by the white summer sun. Impressionist painter Joaquin Sorolla saw in this colour the power to recreate searing hot Spanish sunlight as it flooded windswept beaches, flapping ship sails, straw hats and freshly starched clothing in his seemingly endless cycle of summer. When balanced…
The naturalistic, floral patterns of the Arts and Crafts movement are such a firm favourite with the British establishment that it is easy to forget the idealistic, rebellious roots of the style revolution. Angered by the demoralising effects rising industry and mass production was having on British society at large, writer John Ruskin, designer William…
The intensity of EARTH linen’s heady, port red mirrors Mark Rothko’s late maroon paintings, in which he captured the brooding half-light of dusk as it slowly shifts and closes into night. Rothko wrote, “Often, towards nightfall, there’s a feeling of mystery, threat, frustration – all of these at once. I would like my paintings to…
“Nothing should be made by man’s labour that is not worth making.” William Morris In this new series we will explore some of the key ideas behind the iconic and hugely influential British Arts and Crafts Movement, a widespread phenomenon of the late 19th and early 20th century that continues to shape the world we…
RED OCHRE linen has the enveloping warmth of terracotta, a rustic colour that seems drawn from the ground like Italian tiles or dry earth parched by the sun. Yet for painter Frank Auerbach this shade of red, along with sandy yellow and burnt orange, reflects the mood and surroundings of his home in London, with…
FROTH linen’s pale blush tone is reminiscent of an apricot ripening in the white spring sunlight, recalling the luminous flesh tones in French master Edouard Manet’s paintings. As a Realist painter, Manet made the human figure his central focus, whose pale blush tones become visions of purity and light when set against deep, earthy browns…
The warm yellow hue of Zenith linen recalls the radiant, sun-baked wheat fields of Dutch painter Vincent van Gogh, where golden sunlight shimmers across the canvas and burns a hole in the sky. Yellow was a color of great personal significance to van Gogh, particularly towards the end of his life, when he flooded his…
There is a sparkling lightness of touch associated with Raoul Dufy’s practice, one that defines the joi de vivre of the Parisian Belle Epoque era he was raised in. One of his most popular quotations, “my eyes were made to erase all that is ugly,” reveals his inclination towards the decorative and beautiful, or the…
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